Showing posts with label hawthorne heights. Show all posts
Showing posts with label hawthorne heights. Show all posts

Friday, August 1, 2008

New Music/CD Releases (August 5th, 2008)

August 5
The Airborne Toxic Event - The Airborne Toxic Event
Amy Ray - Didn't It Feel Kinder
Black Light Burns - Cover Your Heart & the Anvil Pants Ody
Brazilian Girls - New York City
Carrie Rodriguez - She Ain't Me
Carla Bruni - Comme Si de Rien N'Etait
Conor Oberst - Conor Oberst
Darker My Love - 2
Ernie Halter - Starting Over
Heidi Newfield - What Am I Waiting For
Hawthorne Heights - Fragile Future
Jamey Johnson - That Lonesome Song
Keanthony - A Hustlaz Story
Keith Anderson - C'mon
Kid Sister - Koko B. Ware
Lewis Black - Anticipation
Lloyd - Lessons In Love
Mike Gordon - The Green Sparrow
Nappy Roots - The Humdinger
Ne-Yo - Year Of The Gentleman
Pater Bradley Adams - Leavetaking
Randy Newman - Harps and Angels
Santana - Multi-Dimensional Warrior
Trapt - Only Through The Pain
Soundtrack - Sisterhood Of The Traveling Pants 2

dvd

Pete Seeger: The Power of Song

w/Joan Baez, Bruce Springsteen, Tom Paxton, Natalie Maines, Arlo Guthrie


Pete Seeger reads The Wall Street Journal! That's perhaps the most startling revelation in Jim Brown's (The Weavers: Wasn't That a Time) wonderful documentary that etches an indelible portrait of an American icon and a global treasure. As a solo performer and as a member of the Weavers, Seeger introduced America to its musical heritage and was instrumental in ushering in the folk music revival in the 1960s. Branded as an "evil Commie" for his leftist beliefs, he is hailed here as an "absolute patriot" and "a living testament to the First Amendment." Seeger didn't call out politicians or presidents. He called out backward policies, unjust laws, and divisive attitudes. Songs that he popularized, or were covered by others, such as "We Shall Overcome," "The Hammer Song," "Where Have All the Flowers Gone," and "Turn, Turn, Turn," became Civil Rights and anti-war anthems. Music, he eloquently states in The Power of Song, should not be used just to forget one's troubles, but to also help to understand and to do something about your troubles. Whether singing work songs at union rallies or Woody Guthrie's "This Land Is Your Land" to schoolchildren, Seeger used folk music as a uniter. The Power of Song is a profile in courage. In dramatic archival footage, he is seen defying the House Un-American Activities Committee. Seeger, never in it for the money, recalls how he quit the phenomenally popular Weavers when the other members agreed to do a cigarette commercial. Seeger was green before green was cool. At 88, he lives in the log cabin that he built and continues to work the land; chopping wood and hauling water. This film also chronicles his successful campaign to clean up the polluted Hudson River.

The Power of Song" is more than a great life story. It's also a great love story. Toshi, his wife of more than 60 years, emerges as an extraordinary woman who has greatly sacrificed to allow Seeger to take his music and message around the world (at one point she jokes that she wished her husband chased women instead of causes so she could leave him). Seeger says his singing voice is gone, but his spirit is undimmed (one clip captures him standing on the roadside with a handful of war protesters). Bob Dylan, Bruce Springsteen, Bonnie Raitt, Natalie Maines of the Dixie Chicks, Mary Travers, and family members are among those who pay tribute, but Seeger's own plain-spoken words and the concert footage and performance clips--by turns joyous and profoundly moving--take full measure of the man as a musicologist, iconoclast, and "social artist." One admirer says of Seeger that he stood for justice and had powerful enemies. That makes him sound like a superhero. In his own gentle way, perhaps he was.



and remember, whenever possible buy your music directly from the artist(s) or your local independent record store. both could become endangered without your support.

Monday, July 14, 2008

ear x-tacy - "live" in-store concerts

submitted by: bill ivester

for any of you in the general louisville area, ear x-tacy (according to paste magazine, one of the 17 coolest record stores in america) is known for having a wide range of in-store performances and the next few weeks are shaping up nicely...


Sarah Elizabeth Burkey was born and raised on Rural Route 4, Kevil, Kentucky. Her unique musical and literary compositions are born of this rich history. Sarah's work has been published in books and literary journals in the US and Europe. In 2007 Sarah's work was featured in the book reflections upon the 50th anniversary of Jack Kerouac's On the Road. 2007 found Sarah performing in Portugal, England, and across the US including a California tour.



In a world littered with disposable pop Missy Higgins is a welcome relief.. passionate, sincere and proudly Australian.

The 23 year old singer/songwriter from Melbourne has enjoyed phenomenal success in her homeland in spite - or perhaps because - of shunning the usual synthetic packaging and tabloid tackiness. Instead she's adopted a more timeless approach, relying on her undeniable songs and unforgettable live performances to build a genuine and gimmick free connection with her audience.



Last Days at the Lodge is Amos Lee's third record, following his first two critically-acclaimed and tremendously successful records, Supply and Demand (2006) and his 2005 self-titled debut. The new record is produced by Don Was, and features Lee on guitars, Doyle Bramhall, Jr. (Eric Clapton) on guitar, Spooner Oldham (Neil Young, Aretha Franklin) ..s, Pino Palladino (The Who, D'Angelo) on bass, and James Gadson (Bill Withers) on drums, along with many others.



If you haven’t already heard of Hayes Carll, you soon will. In the three years since his self-released second album, Little Rock became available, Carll has toured relentlessly in North America and abroad (performing over two hundred shows a year), founded a successful singer-songwriter music festival on the Gulf Coast of Texas, secured a record deal with Lost Highway Records, and has even seen Little Rock become the first self-released album to reach #1 on the Americana Music Chart. He’s only getting started.

On his new album, Trouble In Mind, the 32 year-old Carll navigates his way through both stormy weather and calm, sun-drenched waters with ease, emerging with songs that melt even the hardest heart in town (a feat he manages on the plaintive, world-weary "Don't Let Me Fall") or heat up a roadhouse (like the ruggedly strutting "Wild as a Turkey"). Their impact is heightened by the fact that they're songs born of both immersion in the works of his songwriting heroes and plenty of real world experience.



Wild Sweet Orange’s Canvasback Music debut, WE HAVE CAUSE TO BE UNEASY, is a work of exquisite power, its songs propelled by edgy emotion and a cathartic yearning for connection. Tracks such as “Ten Dead Dogs” and “Sour Milk” find the Birmingham, Alabama-based rock outfit honing an intimate and individualistic sound that veers unrestrained from aching intimacy to a turbulent, seething intensity. For singer and songwriter Preston Lovinggood, the album’s provocative title serves as both an ideal statement of intent as well as a strong assertion of identity.

“It’s being honest about who we are and where we’ve come from,” Lovinggood explains. “Our generation gets a little looked down upon for asking too many questions or complaining too much, but I think we have the right to ask those questions.

“It’s hopeful and weary at the same time,” he adds. “To be aware of the situation, to understand there is a cause, is a healthy place to be.”




i'm especially looking forward to wild sweet orange, i saw them on letterman a few weeks ago and they were really good, i've also been impressed with what's available on their myspace page. unfortunately, i'll miss amos lee, he's on the same night as an over the rhine concert in dayton, i've heard great things about him. sarah elizabeth burkey , missy higgins and hayes carll all sound pretty interesting, and i'm looking forward to hearing more. i'll probably pass on hawthorne heights, just sounds a little too "cool" and "popish" for my tastes.

many thanks to ear x for continuing to put this music out there!

and as always, support independent music.