Monday, July 14, 2008

ear x-tacy - "live" in-store concerts

submitted by: bill ivester

for any of you in the general louisville area, ear x-tacy (according to paste magazine, one of the 17 coolest record stores in america) is known for having a wide range of in-store performances and the next few weeks are shaping up nicely...


Sarah Elizabeth Burkey was born and raised on Rural Route 4, Kevil, Kentucky. Her unique musical and literary compositions are born of this rich history. Sarah's work has been published in books and literary journals in the US and Europe. In 2007 Sarah's work was featured in the book reflections upon the 50th anniversary of Jack Kerouac's On the Road. 2007 found Sarah performing in Portugal, England, and across the US including a California tour.



In a world littered with disposable pop Missy Higgins is a welcome relief.. passionate, sincere and proudly Australian.

The 23 year old singer/songwriter from Melbourne has enjoyed phenomenal success in her homeland in spite - or perhaps because - of shunning the usual synthetic packaging and tabloid tackiness. Instead she's adopted a more timeless approach, relying on her undeniable songs and unforgettable live performances to build a genuine and gimmick free connection with her audience.



Last Days at the Lodge is Amos Lee's third record, following his first two critically-acclaimed and tremendously successful records, Supply and Demand (2006) and his 2005 self-titled debut. The new record is produced by Don Was, and features Lee on guitars, Doyle Bramhall, Jr. (Eric Clapton) on guitar, Spooner Oldham (Neil Young, Aretha Franklin) ..s, Pino Palladino (The Who, D'Angelo) on bass, and James Gadson (Bill Withers) on drums, along with many others.



If you haven’t already heard of Hayes Carll, you soon will. In the three years since his self-released second album, Little Rock became available, Carll has toured relentlessly in North America and abroad (performing over two hundred shows a year), founded a successful singer-songwriter music festival on the Gulf Coast of Texas, secured a record deal with Lost Highway Records, and has even seen Little Rock become the first self-released album to reach #1 on the Americana Music Chart. He’s only getting started.

On his new album, Trouble In Mind, the 32 year-old Carll navigates his way through both stormy weather and calm, sun-drenched waters with ease, emerging with songs that melt even the hardest heart in town (a feat he manages on the plaintive, world-weary "Don't Let Me Fall") or heat up a roadhouse (like the ruggedly strutting "Wild as a Turkey"). Their impact is heightened by the fact that they're songs born of both immersion in the works of his songwriting heroes and plenty of real world experience.



Wild Sweet Orange’s Canvasback Music debut, WE HAVE CAUSE TO BE UNEASY, is a work of exquisite power, its songs propelled by edgy emotion and a cathartic yearning for connection. Tracks such as “Ten Dead Dogs” and “Sour Milk” find the Birmingham, Alabama-based rock outfit honing an intimate and individualistic sound that veers unrestrained from aching intimacy to a turbulent, seething intensity. For singer and songwriter Preston Lovinggood, the album’s provocative title serves as both an ideal statement of intent as well as a strong assertion of identity.

“It’s being honest about who we are and where we’ve come from,” Lovinggood explains. “Our generation gets a little looked down upon for asking too many questions or complaining too much, but I think we have the right to ask those questions.

“It’s hopeful and weary at the same time,” he adds. “To be aware of the situation, to understand there is a cause, is a healthy place to be.”




i'm especially looking forward to wild sweet orange, i saw them on letterman a few weeks ago and they were really good, i've also been impressed with what's available on their myspace page. unfortunately, i'll miss amos lee, he's on the same night as an over the rhine concert in dayton, i've heard great things about him. sarah elizabeth burkey , missy higgins and hayes carll all sound pretty interesting, and i'm looking forward to hearing more. i'll probably pass on hawthorne heights, just sounds a little too "cool" and "popish" for my tastes.

many thanks to ear x for continuing to put this music out there!

and as always, support independent music.

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